Encore (the magazine of BMG classical music service) reported:
Franco Corelli, known as "golden thighs" to opera audiences, was one of the world’s leading tenors from his La Scala debut in 1954 until his unofficial retirement from the stage in 1976. His matinee-idol looks coupled with his thrilling high notes earned him cult status during his singing career. A recent survey by the magazine Opera Fanatic [the radio program, really] named Corelli Favorite Tenor of the Century, out-polling even Björling (second), Caruso (third), and Domingo (nineteenth, tied with Jacques Urlus).
Jeannie Williams wrote in USA Today:
Look out Plácido Domingo and Luciano Pavarotti: Italian tenor Franco "Golden Thighs" Corelli, the Mel Gibson of the Metropolitan Opera in the 1960s, may be back. Corelli, who left opera in 1976, made a rare weekend appearance on a New York radio show, "Opera Fanatic." He said he quit too soon, he wants to sing Verdi’s Otello and do recitals. His reappearance would sell out Carnegie Hall in hours...." ("Starwatch")
Michael Redmond treated the same story in the Newark Star-Ledger:
Last week’s big buzz had to do with a live radio interview given by Franco Corelli to the irrepressible Stefan Zucker, host of "Opera Fanatic." During the interview, Corelli indicated a clear interest in returning to the stage to perform and record the title role of Verdi’s Otello, the brightest jewel in the Italian tenorial crown.
Corelli never sang this role during the years that he was the most brilliant and exciting tenor alive.... Well, this was news,...It is also a matter of public record (i.e., listeners heard Corelli say it), as well as a matter of on-tape record. By early this week, Corelli was waffling about the whole thing, saying that he had been mistranslated. The interview had been conducted both in Italian, which Zucker then translated, and in English. A difficulty with Corelli’s explanation is that he had said it in English. Hmmm. So why all the fuss? Simply because a return by Franco Corelli to sing Otello, or "Mary Had a Little Lamb" for that matter, would surely become a candidate for "hottest operatic ticket of the 90s".... I had had the privilege of overhearing Corelli sing while he was teaching in Newark. The tenor sounded fantastico, high notes and all....("Corelli Comeback: Yes or No?")
Audrey Farolino wrote in Page Six of the New York Post:
Will he or won’t he? That’s what opera fans are wondering about Franco Corelli, considered the world’s best and sexiest tenor during his heyday from the 1950s through the 70s. Corelli worked music lovers into a fever pitch earlier this month when he suggested on WKCR’s "Opera Fanatic" program that he would still like to perform in Verdi’s Otello, something he never did during his career. Since then, "the phone here has been going wild," says Stefan Zucker, the show’s host....("Corelli: Coming Back?")
On one of the programs Corelli described his diet, which Jeannie Williams then reported in USA Today:
Sixties superstar tenor Franco Corelli says he’s eating nothing but bananas and yogurt daily, plus water and coffeeand it works.
Marylis Sevilla-Gonzaga in Opera News also made mention of the Corelli shows and the prospect of a comeback.
Listeners having voted Corelli Favorite Tenor of the Century, Stefan Zucker booked a date at a concert hall for him to be interviewed by the audience and me and be presented with an award. Marylis Sevilla-Gonzaga in Opera News, Bill Zakariasen in the New York Daily News, Iris Bass in Sightlines, Jeannie Williams in USA Today and Tim Page in Newsday all noted the event in advance, while Albert Cohen in the Asbury Park Press described the audience’s reaction:
Zucker arranged for a fascinating evening when he brought Corelli to the stage of Merkin Hall in New York City for an evening of talk. Part of the fun was the capacity audience. Talk about fanatics! Whenever someone recognizable entered, the applause would erupt. Jerome Hines, the Scotch Plains basso, was greeted warmly.
Pandemonium took over when Corelli appeared. Everyone was standing, whistling and shouting "Bravo." The fans really went crazy when he was given his "Tenor of the Century" plaque during this unusual evening. ("Fans Go Wild over 'Tenor of Century'")
The Honorable David N. Dinkins, Mayor of the City of New York, proclaimed January 7, 1992 "Franco Corelli Day." On that occasion Stefan Zucker interviewed Corelli in Gould Hall, taking a microphone into the auditorium à la Phil Donahue so that the public could speak with him as well. After intermission mayoral representative Dr. George Seuffert presented Corelli with the proclamation, which among many things cited his "thoughtful expertise and delightful sense of humor" in interviews.
Joseph Li Vecchi wrote about the event in Gramophone:
When Corelli walked out on stage at Florence Gould Hall the audience reacted as if Caesar had just returned from the conquests in Gaul....Corelli was interviewed by Stefan Zucker and he answered questions from the audience. We were also treated to a number of his recordings....Corelli fans are devoted to the great tenor and one lady even drove in from Cleveland for a chance to meet him. [Another came from Raleigh, another from Miami.] After the interview there was a reception....
Li Vecchi then described Corelli’s vocalism, citing high notes and diminuendos, and maintained:
There is no voice before the public today with Corelli’s combination of power, range and color....
Return to Corelli Interviews introductory page, with additional press coverage